#APANHEI TE CAVAQUINHO NAZARETH DNCE FULL#
Vee” Ho, Matthew “Megawatt” West, Omari Wiles, and Ephrat Asherie) interpreted a joyful program, full of exhilirating interactions to live music. Ephrat Asherie, herself, wanted the audience to “relax, enjoy and respond.” And that we did! The company of six dancers, (Manon Bal, Teena Marie Custer, Val “Ms.
At the very beginning, it was announced that the choreographer, Ms. The performance of “Odeon” by the dance company, was energetic, upbeat and fun. Nazareth was trained in European music, as were many of his contemporaries in Rio de Janeiro, but combined this with popular and contemporary rhythms (of Afro-Brazilian influence), to create a “Brazilian” national (popular) music. Along with Francisca “Chiquinha” Gonzaga, Antonio Callado, Pixinguinha and others, Nazareth improvised in choro ensembles, and composed maxixes (Brazilian tango) and other forms. Ernesto Nazareth is well known in Brazil in the context of 19th and early 20th century composers who were the foundation of Brazil’s samba. “Odeon” is the title of Ernesto Nazareth’s most famous composition. I was interested in attending this performance because of the music. The production was presented in coordination with Next Move Dance and opened on Friday February 7. At Mel Bay Publications, we are privileged to hear a lot of new, original music.Last night, February 8, 2020, Ephrat Asherie Dance performed “Odeon” at the Zellerbach Theatre at the Annenberg Center in Philadelphia. Written in standard notation only, the author's detailed fingerings and online audio recordings will facilitate learning these delightful pieces ranging from intermediate to advanced levels. The composer himself, with a degree in classical guitar, performs on a modified steel-string instrument. Fingerstyle players will discover attractive pieces, appreciating the many syncopated rhythms. For the classical guitarist, the collection offers an excellent source of solos inspired by traditional forms and styles while providing new works that will readily compliment the traditional classical guitar repertoire. This collection of Latin-influenced pieces is ideal for the classical or fingerstyle guitarist seeking challenging new material that spans a number of genres and is melodically, harmonically, and rhythmically engaging. Each of them has its own and unmistakable personality.The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros (i.e., Brazilian tangos), but there are also some polcas and some of his most expressive valsas, like Confidências and Coração que Sente.ĬLICK HERE TO GET BOOK Book Contemporary Tangos, Sambas and Latin Ballads for Guitar Description/Summary: Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – especially – rhythmic versatility. Among them there are some of Nazareth's greatest hits (Apanhei-te Cavaquinho, Odeon, Brejeiro, Ameno Resedá, etc.) as well as other not so known compositions– but no less beautiful and important. Despite the fact that those 28 pieces are only a little portion of Nazareth's work, this group of arrangements represents a good and representative panel. Needless to say that all those recourses were used only when it has been strictly necessary. Some phrases or fragments had also to be written an octave higher or lower (that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point, of course). That thought has guided us in the making of this book.In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more modest guitar, we always kept in mind our principal intention: to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth's compositions. If one did that, the result would be only a pale and incomplete portrait of what was intended by the composer. CLICK HERE TO GET BOOK Book Ernesto Nazareth Guitar Solo Anthology Description/Summary:Ī collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo.One of the major difficulties in trying to arrange Ernesto Nazareth's themes for any instrument, but the piano, is to separate the melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregarding the other.
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